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From Beaver to Yellowhorse, Ep 11

  • juliemorrisonwrite
  • Apr 8
  • 2 min read

Julie takes us to a memory at Hawley Lake of wildlife, and then Lisa to another memory near Cameron Trading Post.


Mug: Santa Fe Railroad




From Arizona Highways

by Lisa Schnebly Heidinger


The next time I went to visit the Chief, I took my father, and they discovered that of only a few people alive today, they shared memories of living near the New Mexico border, around Lupton.  They remembered Miller’s Cave, now called Yellow Horse Cave since the Chief purchased it, and the year the schoolhouse burned and classes were held in a boxcar donated by the railroad.  They both thought a girl named Betty was pretty good-looking.

Delighted with the shared past, the Chief and my father exchanged a light correspondence, until two years ago, when my father’s Christmas card generated a telephone call from the Chief’s son Scott, with the news his father had passed away in October.

 

“He used to say, ‘Put your helmet on,’ when we started to work,” remembers the chief’s assistant and now Scott’s, Joe Cody.  “Like we were going into battle.”

       It was all part of a campaign the Chief tremendously enjoyed waging, chatting with tourists who still come through asking for him.  Scott says gravely, “No one can fill his shoes.”


But I’m not as sure of that.  My daughter walks up with three cards brightly printed with information about tribes and America.  Four dollars a card seems like a lot of money to her.

       Scott smiles and begins to barter.

       It’s what his father would have done.

       I know they buried the Chief near Yellow Horse Cave.  But I look up, wishing I could see Juan Yellow Horse watching his son and my daughter bargain.  I believe he can, and that he is enjoying it as much as I am.

       Friendly Indians behind you, Scott Yellow Horse.


Copyright Arizona Highways, Used with Permission



A Prayer for the Eager and Busy

by Julie Morrison

 

Oh Lord, let me:

 

Swim as the tip of a V,

so that others may draft

by my design,

 

Chew on supply - choosing

the pliant for work,

the established for re-seeding,

 

Fall, and fell, no more than needed

to fill a gap— just enough

to pool food —

skimming, not stopping flows

toward downstream needs,

 

Pile the work of days

into months of enough,

 

Lodge where entrance and escape

converse without interrupting

each other,

 

(Merely) Slap a flat surface

when threat intrudes

on my private quiet,

 

Dive toward safe stillness,

depth without the exposure

of current churn,

 

Furr until fluffed,

effectively pelting cold

with a dry warmth,

 

Float the in-between times

as though life’s architecture

is ever a rough draft—

subject to life’s changes—

where nothing is ever built out

so much as building.


Copyright 2025 Julie Morrison, All rights reserved

 
 
 

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What happens when two third-generation Arizona women authors who are passionate about their state start talking about experiences, insights, and memories of different places?  

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